| Item ID | Delta Time | Event | Data (Note, Velocity) |
| 1 | 0 | Text |
#17 concludes
(TODD drops down into the barber's chair in a sweat,
panting)
MRS. LOVETT
(Who has been watching him intently)
That's all very well, but all that matters now |
| 2 | 32 | Other meta-event |
| 3 | 32 | Other meta-event |
| 4 | 32 | Other meta-event |
| 5 | 111 | Other meta-event |
| 6 | 116 | MIDI channel prefix | im, he was sound asleep in the parlor.
(She starts down the stairs)
Come on!
(TODD follows. Sh |
| 7 | 101 | MIDI channel prefix | isappears into the back parlor
and re-emerges)
(MRS. LOVETT (cont'd)
No problem there. He's |
| 8 | 32 | Other meta-event |
| 9 | 32 | Other meta-event |
| 10 | 119 | Other meta-event |
| 11 | 44 | MIDI channel prefix | e could do that. I don't suppose there's any
relatives going to come poking around looking for him.
#18. A L |
| 12 | 73 | Other meta-event |
| 13 | 32 | Other meta-event |
| 14 | 89 | MIDI channel prefix | ODD
Shame?
MRS. LOVETT
SEEMS AN AWFUL WASTE.
SUCH A NICE, PLUMP FRAME
W |
| 15 | 72 | Other meta-event |
| 16 | 13 | Other meta-event |
| 17 | 66 | Other meta-event |
| 18 | 84 | Other meta-event |
| 19 | 68 | Other meta-event |
| 20 | 77 | Other meta-event |
| 21 | 89 | Other meta-event |
| 22 | 79 | Other meta-event |
| 23 | 68 | MIDI channel prefix | OAST.
NOW A PUSSY'S GOOD FOR MAYBE
SIX OR SEVEN AT THE MOST.
AND I'M SURE |
| 24 | 32 | Other meta-event |
| 25 | 87 | Other meta-event |
| 26 | 9 | MIDI channel prefix | WELL, IT DOES SEEM
A |
| 27 | 32 | Other meta-event |
| 28 | 72 | Other meta-event |
| 29 | 67 | Other meta-event |
| 30 | 70 | Other meta-event |
| 31 | 87 | MIDI channel prefix | HOICE!
HOW RARE! PIES!
OH, WHAT'S THE SOUND OF THE W |
| 32 | 79 | Other meta-event |
| 33 | 87 | Other meta-event |
| 34 | 69 | Other meta-event |
| 35 | 85 | Other meta-event |
| 36 | 78 | Other meta-event |
| 37 | 101 | MIDI channel prefix | esperate times, Mrs. Lovett, and desperate measures are called for.
(MRS. LOVETT goes to the co |
| 38 | 117 | Other meta-event |
| 39 | 32 | Other meta-event |
| 40 | 9 | Other meta-event |
| 41 | 32 | Other meta-event |
| 42 | 72 | Other meta-event |
| 43 | 9 | Other meta-event |
| 44 | 78 | Other meta-event |
| 45 | 32 | Other meta-event |
| 46 | 69 | Other meta-event |
| 47 | 32 | Other meta-event |
| 48 | 111 | Other meta-event |
| 49 | 9 | Other meta-event |
| 50 | 79 | Other meta-event |
| 51 | 32 | Other meta-event |
| 52 | 32 | Other meta-event |
| 53 | 84 | Other meta-event |
| 54 | 79 | Key signature | Minor |
| 55 | 70 | MIDI channel prefix | OURSE IT TASTES OF
WHEREVER IT'S BEEN...
SWEENEY TODD
|
| 56 | 32 | Other meta-event |
| 57 | 9 | Other meta-event |
| 58 | 89 | MIDI channel prefix | ODD
LOOKS THICKER
MORE LIKE VICAR.
MRS. LOVETT
NO IT HAS TO BE GROCER
|
| 59 | 9 | Other meta-event |
| 60 | 87 | Other meta-event |
| 61 | 70 | Other meta-event |
| 62 | 86 | Other meta-event |
| 63 | 13 | Other meta-event |
| 64 | 70 | Key signature | Minor |
| 65 | 9 | Other meta-event |
| 66 | 101 | MIDI channel prefix | ot tinker.
Something... pinker.
Tailor?
Paler.
Butler?
Subtler.
Potter?
Hotter.
|
| 67 | 10 | Other meta-event |
| 68 | 73 | Other meta-event |
| 69 | 65 | Key signature | Minor |
| 70 | 85 | MIDI channel prefix | ANT IT CHEAP
AND YOU LIKE IT DARK!
TRY THE FINANCIER
PEAK OF HIS CAREER!
S |
| 71 | 87 | Other meta-event |
| 72 | 13 | Other meta-event |
| 73 | 78 | Other meta-event |
| 74 | 77 | Other meta-event |
| 75 | 83 | Other meta-event |
| 76 | 76 | MIDI channel prefix | OU SMELL IT AND
NOTICE HOW WELL IT'S BEEN GREASED...
STICK TO PRIEST.
(Offering |
| 77 | 97 | Other meta-event |
| 78 | 69 | Other meta-event |
| 79 | 32 | Other meta-event |
| 80 | 116 | MIDI channel prefix | irst!
(They fall about with laughter)
SWEENEY TODD
THE HISTORY OF THE WORLD, MY SWEET
|
| 81 | 10 | Other meta-event |
| 82 | 86 | Other meta-event |
| 83 | 32 | Other meta-event |
| 84 | 68 | Other meta-event |
| 85 | 82 | MIDI channel prefix | ODD
WHO GETS TO SELL.
SWEENEY TODD
BUT, FORTUNATELY,
IT'S ALSO CLEAR
|
| 86 | 13 | Other meta-event |
| 87 | 9 | Other meta-event |
| 88 | 110 | Other meta-event |
| 89 | 46 | Other meta-event |
| 90 | 32 | Other meta-event |
| 91 | 84 | Other meta-event |
| 92 | 105 | Other meta-event |
| 93 | 10 | Other meta-event |
| 94 | 69 | Other meta-event |
| 95 | 78 | Other meta-event |
| 96 | 73 | Other meta-event |
| 97 | 80 | Other meta-event |
| 98 | 32 | Other meta-event |
| 99 | 32 | Other meta-event |
| 100 | 10 | Other meta-event |
| 101 | 32 | Other meta-event |
| 102 | 69 | MIDI channel prefix | N THE MENU!
MRS. LOVETT
Wait! True, we don't have judge yet,
but we've |
| 103 | 32 | Other meta-event |
| 104 | 109 | MIDI channel prefix | butcher's cleaver)
Executioner!
(He takes the cleaver, hands her the wooden
rolling pin |
| 105 | 32 | Other meta-event |
| 106 | 65 | Other meta-event |
| 107 | 32 | Other meta-event |
| 108 | 83 | Other meta-event |
| 109 | 79 | Other meta-event |
| 110 | 10 | Other meta-event |
| 111 | 9 | Other meta-event |
| 112 | 13 | Other meta-event |
| 113 | 32 | Other meta-event |
| 114 | 96 | Set tempo | 526316 |
| 115 | 960 | Set tempo | 500000 |
| 116 | 1920 | Set tempo | 476190 |
| 117 | 1920 | Set tempo | 461538 |
| 118 | 7680 | Set tempo | 857143 |
| 119 | 480 | Set tempo | 571429 |
| 120 | 480 | Set tempo | 857143 |
| 121 | 480 | Set tempo | 500000 |
| 122 | 480 | Set tempo | 576923 |
| 123 | 960 | Set tempo | 750000 |
| 124 | 960 | Set tempo | 1000000 |
| 125 | 480 | Set tempo | 600000 |
| 126 | 480 | Set tempo | 555556 |
| 127 | 960 | Set tempo | 333333 |
| 128 | 0 | Time signature | 3/4 |
| 129 | 2880 | Set tempo | 326087 |
| 130 | 960 | Set tempo | 312500 |
| 131 | 480 | Set tempo | 309278 |
| 132 | 4320 | Set tempo | 322581 |
| 133 | 960 | Set tempo | 340909 |
| 134 | 240 | Set tempo | 375000 |
| 135 | 240 | Set tempo | 1500000 |
| 136 | 480 | Set tempo | 322581 |
| 137 | 960 | Set tempo | 303030 |
| 138 | 2880 | Set tempo | 309278 |
| 139 | 0 | Key signature | F# Major |
| 140 | 17280 | Key signature | Eb Major |
| 141 | 8640 | Set tempo | 303030 |
| 142 | 1440 | Set tempo | 297030 |
| 143 | 1440 | Set tempo | 291262 |
| 144 | 11520 | Set tempo | 303030 |
| 145 | 40320 | Key signature | B Major |
| 146 | 10560 | Set tempo | 1200000 |
| 147 | 480 | Set tempo | 500000 |
| 148 | 480 | Set tempo | 291262 |
| 149 | 8160 | Set tempo | 375000 |
| 150 | 240 | Set tempo | 300000 |
| 151 | 240 | Set tempo | 291262 |
| 152 | 45120 | Set tempo | 1200000 |
| 153 | 480 | Set tempo | 750000 |
| 154 | 480 | Set tempo | 291262 |
| 155 | 34560 | Key signature | Eb Major |
| 156 | 23040 | Key signature | B Major |
| 157 | 67680 | Set tempo | 291262 |
| 158 | 0 | Key signature | C Major |
| 159 | 288 | Set tempo | 1500000 |
| 160 | 192 | Set tempo | 400000 |
| 161 | 960 | Set tempo | 285714 |
| 162 | 116890 | Set tempo | 750000 |
| 163 | 710 | Set tempo | 1500000 |
| 164 | 480 | Set tempo | 285714 |
| 165 | 84960 | Key signature | Eb Major |
| 166 | 28800 | Key signature | Db Major |
| 167 | 0 | End of track |